– You can’t just put a coat on him and make him a ‘don’. His behaviour wasn’t gangster at all.
– He didn’t ‘act’. I mean, he emotes and all, but changes his emotion robotically second to second. Fucking weird.
– It’s telling when The Godfather, a nearly forty year old Hollywood film, has more nuance, complexity, character, plot and cinematography than this piece of shit of a film. You might think it’s unfair that I am comparing this with a film widely considered to be the best film ever made, then I will tell you that it’s fucking embarrassing that Tamil movies continue to flirt with childish themes, and worse, idiotic cinematography and sound editing (there were a few out of place metal clangs in the movie). All these advancements in technology and still no improvement in maturity or cinematic techniques. Shame.
– When Rajni is standing against the wall sized window, it’s pretty fucking obvious that the backdrop of KL is CGI. I don’t know why anyone who was making the film thought it was a good idea. Don’t be a lazy director and look for natural lighting, and don’t use CGI if it serves no real purpose or more importantly, if it looks like some meme I drew on MS Paint.
– I’m sure glad that Rajni’s flashback in the film was a limited montage but we could spend about 45 minutes going pointlessly from town to town, country to country looking for his wife.
– Which vending machine did they find the Chinese actor from? His weird intonation was a laugh.
– Dub the non-Indian actors altogether, or force them to weirdly speak Tamil altogether. Don’t do both. Winston Chao’s Tamil at the end seemed too much of a parody.
– Raadika Apte was a surprisingly good actress, but her involvement in the story was the most unnecessary part. What a fucking waste.
– Don’t even need to talk about Dhansika.
– A fucking huge waste of Kishore, who is normally a nuanced and subtle actor. Can’t blame him too, his character was so poorly written. For someone who had the brains to plot against his boss, it seems weird that he had no problem being a dog to Winston Chao.
– Rajni didn’t even come close to Nasser’s charisma or acting talent. And wait- gangsters in broad daylight are also politicians in Malaysia? I mean, even Najib was more subtle.
– Fade in, fade out for the montage toward the end as Winston Chao attacks Rajni’s henchmen. No, that is just terrible sequencing.
– Even by Tamil movie standards, dialogue was atrocious. Seriously. “Hey, I have an idea…. you can be my dog! Hahahaha” was an actual line, in English, in the film. Hearing Rajni tell the others exactly what he was thinking verbatim- I thought this shit only happens in anime. And this pisses me off because generally Tamil films excel in dialogue and wit. No wordplay, no ‘punch dialogue’ as Tamilans like to call it. Nothing.
– No manpower, no resources, and that ending plan of Rajni’s? I mean, it didn’t even feel smart or consistent. And the worst part is that it’s interspliced with images of the pool party, like as if that was supposed to arouse me somehow. And why did he wait until the end to do this? All he did was storm the other gangster’s businesses. But hey, just put the theme song and Tamilans will eat anything up, right?
– People act like this movie showed the plight of Tamil folk in Malaysia. No. It tried to. It failed. It was atrocious. I’m sure the Malaysian government was more than happy to put the blame on a wooden Chinese villain. And moreover, the real problem, which is a hole in meritocracy, was saved right at the end for about two minutes. While we spent forty five minutes on a fucking treasure hunt for Radhika Apte. If all this wasted runtime was used to build a proper theme….
The movie was made in response to Jigarthanda, which is miles above this piece of shit. Apparently Rajni saw Bobby Simha’s performance and felt inspired to do a gangster role, without emulating an ounce of his complexity or gravitas. Jigarthanda had better cinematography, better dialogue, better acting, better plot and even a nice subtle understudy on film-making. It was witty, clever and showed the socio-political workings of the modern Tamil city. NONE. OF. WHICH. WAS. SHOWN. IN. KABALI.
On a sidenote, the indie black comedy niche is thriving in Tamil cinema, and I would encourage more people to watch those films, instead of these mass appeal movies that incite severe brain damage.
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